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Morning Dew - Print


Christine Averill-Green

CA116-P-UN42x42

2019

Custom Print Reproduction

Price : Regular price $30.00

This piece is a custom print reproduction. Select your style (paper or canvas), print size, and framing preferences. Paper prints are printed on Epson Somerset Velvet paper, and can be purchased unframed, or framed with a black, white, or natural wood frame, and matted or unmatted. Canvas prints can be purchased rolled, and gallery wrapped with the option to frame. 

Please note larger dimensions listed when a frame and/or mat are added to your print. All listed framed dimensions are approximate within a 1/2". For more information on printing and framing options and policies, please visit our Prints Explained page. 

Please also note that all print reproductions are made-to-order based on desired preferences allowing for personal customization and less waste.

Because of this level of customization we are unable to offer refunds or exchanges.

Click here to view the original artwork for sale. 

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BIOGRAPHY

Christine Averill-Green is a resident of the Capital District of New York and has been exhibiting her artwork in galleries and museums upstate for over 40 years. Christine received her B.A. in Art with a double minor in Music/Theatre from Russell Sage College and then went on to receive her M.S. in Art Education from the College of Saint Rose. Artists such as Richard Diebenkorn, Euan Eglow, Antonio Lopez Garcia, as well as her teachers Catherine Kehoe and Stanley Bielen have influenced Christine's work.

ARTIST STATEMENT

"My work ranges from the representational to the abstract, and often combines the two styles. I love to paint in a textured and layered manner; striving to make the images fanciful but bold. Some of my paintings take almost a year to complete, as I am constantly building thin layer upon thin layer of paint until I achieve the desired effect. This technique reflects my fascination with the textures and layers, colors and mysteries of our own lives.

Most of my work is influenced by medieval frescoes (the color combinations and use of gold) and the simplicity of Asian art. Above all, in every single painting I do, I abide by the words of Claude Monet: 'When you go out to paint, try to forget what objects you have before you....merely think here is a little square of blue, here an oblong of pink, here a streak of yellow and paint it just as it looks to you.'"