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Orangesicle - Print

Teodora Guererra



Custom Print Reproduction

Price : Regular price $45.00

This piece is a custom print reproduction. Select your style (paper or canvas), print size, and framing preferences. Paper prints are printed on Epson Somerset Velvet paper, and can be purchased unframed, or framed with a black, white, or natural wood frame, and matted or unmatted. Canvas prints can be purchased rolled, and gallery wrapped with the option to frame. 

Please note larger dimensions listed when a frame and/or mat are added to your print. All listed framed dimensions are approximate within a 1/2". For more information on printing and framing options and policies, please visit our Prints Explained page. 

Please also note that all print reproductions are made-to-order based on desired preferences allowing for personal customization and less waste.

Because of this level of customization we are unable to offer refunds or exchanges.

Click here to see the original of this print for sale. 

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Teodora Guererra’s artistic vision has evolved through the years, which she has spent painting and teaching in Fairfield County, Connecticut, Tucson, Arizona, and Upstate New York. Arizona’s naturally radiant landscape and arid climate led her to experiment with rich under-painting and vivid colors, while the shifting seasons of the East Coast inspired her to pursue new application techniques like dripping and staining. Her focus has always been pushing the limits through experimentation with new materials.

Guererra received her undergraduate and graduate art degrees from Southern Connecticut University, The College of Saint Rose, and Skidmore College. Her paintings can be found in public and private collections across the U.S., including the Allmen Health and Wellness Center for Women in New York, SUNY Brockport, NY, and William & Sonoma, San Francisco, CA. She draws influence from artists like Pat Steir, John McCracken, Helen Frankenthaler, Donald Jud, Bernar Venet, Agnes Martin, and Brian Rutenberg.


"Sometimes people ask me where I've been, and I smile and say I’ve been traveling, which sometimes is true, but often I’ve been in my studio. I feel like I am addicted to my art; I can’t stop thinking about the painting I am working on or the next one I want to start. I think my work is often a series of continuous failures until I can work it out, but when everything comes together, it’s heaven. 

Painting can be tormenting and sublime at the same time. I'm a big risk taker, constantly experimenting with new and different materials to layer, stain and saturate color on large surfaces. My most successful work achieves a sense of fluid movement with saturated color, that is complex yet minimalistic. The end result should be a painting that glides us across the canvas like a symphony, drowning out all the everyday noise in which we live.”