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Type: Canvas PrintType: Caught

Caught - Limited Edition Canvas Print

Sale price$265.00
Size:
Canvas Type:Canvas rolled
Canvas Frame:No frame
Description
This piece is a limited edition print of an abstracted landscape by Bri Custer. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency.

This print is an edition size of 195.

Bri Custer Inquiry

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This product plants one tree
A colorful abstract landscape print framed in a silver frame hangs on a white wall.
Caught - Limited Edition Canvas Print Sale price$265.00

About Bri Custer

Bri Custer

Biography
Bri Custer is a plein air painter investigating perception, memory, and color through the New England Landscape. She received her M.Ed. in Secondary Education (2019) and B.A. in Studio Art with a minor in Psychology (2014) from the University of New Hampshire. Her work has been featured by HyperallergicCandyfloss, and on the Create! Magazine blog and can be found at Nahcotta in Portsmouth, NH and Sorelle Gallery in Westport, CT. She is currently a full-time artist based in Concord, New Hampshire with her husband Bryan, daughter Helen, and their hound-lab mix, Vinny.

Artist Statement
"Human memory is unreliable. Our brains can create false or skewed memories, and even block them out altogether in instances of trauma or extreme stress. As someone who has experienced this phenomenon, I have a deep curiosity about the way my brain serves and hinders me, both in life and in painting.

"My practice is rooted in plein air landscape painting, but even when painting directly from life, I consider it painting from memory. In the few seconds between looking from the landscape to the canvas, my brain has taken the light reflected by the world, translated it to electrical impulses, and formed an imperfect short-term memory of that subject. Some artists use measurements and tools to close the gap between memory and reality, but I’m more interested in exploiting it. I use the lapses that occur between observing my subject and marking my canvas as opportunities to invent color and space. I relish the opportunity to lay down a wildly bold pink or exaggerate a slant of light to the point of distortion. By the time a painting is finished, it is more a representation of feeling a landscape than it is a record of seeing one."

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