








Magnolia - Original Painting
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Notes From The Artist
"In the past twelve years that I have lived on a bridged island in Maine, my physical body and art work have become innately attuned to the rhythms of nature. I have been tirelessly building a permaculture garden above granite
ledge here. Daily, I work in the garden starting plants from seed and nurturing them to maturity with the intent of supporting pollinators and growing my own food and flowers.
I bring these flowers into the studio where I continue my studies of them. As they become fully themselves and venture into their final stages, I play around with various configurations where they seem to be conversing with each other.. By playing with negative space, light and shadows, certain characteristics are taken on that I focus on in the paintings. Ultimately these
paintings of flowers address definitions of beauty, aging and our engagement with societal issues."
Kellner's paintings draw from her interest in growing things, grounding with nature and cultivating the land. She takes her cues from nature’s ability to organize chaos and create new forms out of decay. Through a system of layering, scraping, sanding and layering again, the painting's surface is built up slowly allowing for patterns to emerge and subtleties to come to the forefront. Particular attention is paid to how space is occupied; balancing
empty space with filled and observing their interactions. Teetering between the simplicity of form and the complexity of thought, the paintings shift the familiar into moments of contemplation, reflection and seeing anew.
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About Lisa Kellner

Biography
Lisa Kellner’s paintings and sculptural constructions have been exhibited throughout the United States and internationally. In 2006, her work was curated into the Conversions exhibition in DC, curated by Sam Gilliam. Her work can be found in private residences and commercial spaces in the United States, Europe and Japan. Exhibiting institutions include the Bellevue Arts Museum (WA), the Lower Manhattan Cultural Council (NY), the Brooklyn Arts Council (NY), the Weatherspoon Museum (NC), the Islip Art Museum, Washington Project for the Arts and the Muscarelle Museum of Art (VA), among others. She has created site-responsive installations for institutions including the Cornell Fine Arts Museum (FL), the Bellevue Arts Museum (WA), Lower Manhattan Cultural Council Swing Space (NY), Brooklyn Arts Council (NY), the Center for Maine Contemporary Art (ME), Lehman College Art Gallery (NY) and the Target Gallery at the Torpedo Factory (VA) among many others. Kellner’s work has been reviewed and mentioned in publications including The New York Times, The Boston Globe and Sculpture Magazine in addition to several podcast and interview series. She has received several awards including the New Media Invitational from the Target Gallery, DC and was nominated a Joan Mitchell Emerging Artist semi-finalist in 2016. Her work is represented by Artemis Gallery (ME), Carver Hill Gallery (ME), Campbell Collective, (SC) and Artspace (NY). A former New Yorker with roots in Virginia, Lisa lives and works on Deer Isle in coastal Maine. She travels often to explore other notions of place.
Artist Statement
"My paintings and sculptural constructions begin with an intense immersion into the natural world and an obsessive interest in observing how objects hold memory. Working intuitively, I’m interested in how the subconscious comingles with the physical through recognition, observation and instinctive mark making. My work is concerned with activating this space in the painting. Perception and the way space is inhabited, directly impact my understanding of the world. In my work, they are altered, tweaked, inflated and compressed.
"The slight angle of a tree trunk, a series of telephone lines, a slept in bed or a particular pattern of water current become communicators of emotion, feeling and experiential place. A blending occurs between the simplicity of form and the complex nature of thought, bringing the resulting work to its essence."
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