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Say It Straight

This piece is currently not on site - please call 203-920-1900 or email and we’ll help you see it!

Sale price$6,300.00
Description
From the Things I Meant to Say collection. Bold script sweeps across a field of apple green in three declarative lines — the most direct work in the series. Each stroke carries orange, red, lavender, and pink at once, the colors mingling within a single gesture, so the letters seem to glow at their edges. Where other pieces fill the canvas with overlapping writing, here the message lays itself out plainly, line by line, like a note written to be read. Complementary colors set the surface humming, the warm script vibrating against the cool green. Sculptural, saturated, and nearly six feet wide, it makes a statement long before the eye tries to decipher it. Wired & ready to hang.

Teodora Guererra Inquiry

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Say It Straight
Say It Straight Sale price$6,300.00

About Teodora Guererra

Teodora Guererra

Biography

Teodora Guererra’s abstract artistic vision is influenced by her travels throughout the United States and abroad. While living in Arizona, she became inspired by the naturally radiant landscape and arid climate, which led her to experiment with rich under-painting and vivid colors. Later, the shifting seasons of the East Coast prompted her to pursuance of dripping and textural techniques. Throughout her career, Guererra’s consistent focus has been to push the limits through experimentation with new materials. She is influenced by Pat Steir, Joan Mitchell, Larry Poons, Helen Frankenthaler, and Morris Louis to name a few.

Guererra received her undergraduate and graduate Art degrees from Southern Connecticut University, The College of Saint Rose, and Skidmore College. Guererra’s paintings can be found in public and private collections across the U.S., including the Allmen Health and Wellness Center for Women in New York, SUNY Brockport, and William & Sonoma in San Francisco.

Artist Statement

“I’m a big risk taker, experimenting with different materials so my work can be a series of continuous failures until I figure things out. I’ve explored different directions in my work over the years, but I think you can see the work of my hands or one signature throughout.

"Some of my work achieves a sense of fluid movement with saturated color, while my newer collection is so textured, it is like frostingI may start out with a plan, but then the painting may decide the direction. My most successful work should be complex yet minimal and look like it was easy, or just happened.”

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